Celluloid Mushroom Clouds

Author: Joyce Evans
Publisher: Routledge
ISBN: 0429981422
Format: PDF, ePub, Docs
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Celluloid Mushroom Clouds is a historical account of how the movie industry responded to specific economic and political forces over the postwar years. Joyce Evans investigates the transformation of the imagery associated with atomic technology found in Hollywood film produced and distributed between 1947 and 1964. Incorporating qualitative and quantitative research methods, over 90 films are analyzed in terms of their historical context and the context of film production and distribution.The industry-focused approach presented in the book views cultural production as a material process unfolding under specific economic, political, and cultural conditions and emphasizes the ?pressures and limits? of production that are inscribed in cinematic texts. The study illustrates in concrete detail how the cinematic texts negotiated by audiences are produced in highly concentrated industries and are constructed as a result of often contradictory determinants. These determinants work to shape the texts produced by encouraging, for example, the production of particular genres and by privileging a specific set of images over others. Evans argues that through these images, Hollywood articulated a limited critique of the Cold War ideology, which it also helped to create. She concludes that Hollywood's overall ideological effect has been to restrict the discursive means available for defining social reality.

Monsters Mushroom Clouds and the Cold War

Author: M. Keith Booker
Publisher: Greenwood Publishing Group
ISBN: 9780313318733
Format: PDF, ePub
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Surveying a wide range of major science fiction novels and films, this book focuses on the long 1950s--the period from 1946 to 1964--when the tensions of the Cold War were at their peak. It demonstrates that these works reflect their historical and political contexts through a consistent concern with such phenomena as alienation and routinization, which Marxist critics have seen as central consequences of capitalism. Through its engagement with such issues, American science fiction of this period reflects the growing hegemony of capitalist ideology and consequently demonstrates the beginnings of postmodernism as a major American cultural phenomenon.

Hollywood s Cold War

Author: Tony Shaw
Publisher: Univ of Massachusetts Press
ISBN: 9781558496125
Format: PDF, Mobi
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At a moment when American film reflects a deepening preoccupation with the Bush administration's War on Terror, this authoritative and timely book offers the first comprehensive account of Hollywood's propaganda role during the defining ideological conflict of the twentieth century: the Cold War. In an analysis of films dating from America's first Red Scare in the wake of the 1917 Bolshevik Revolution to the collapse of the Berlin Wall in 1989, Tony Shaw examines the complex relationship between filmmakers, censors, politicians, and government propagandists. Movies, Shaw demonstrates, were at the center of the Cold War's battle for hearts and minds. Hollywood's comedies, love stories, musicals, thrillers, documentaries, and science fiction shockers played a critical dual role: on the one hand teaching millions of Americans why communism represented the greatest threat their country had ever faced, and on the other selling America's liberal-capitalist ideas around the globe. Drawing on declassified government documents, studio archives, and filmmakers' private papers, Shaw reveals the different ways in which cinematic propaganda was produced, disseminated, and received by audiences during the Cold War. In the process, he addresses subjects as diverse as women's fashions, McCarthyism, drug smuggling, Christianity, and American cultural diplomacy in India. Anyone seeking to understand wartime propaganda today will find striking contemporary resonance in his conclusions about Hollywood's versatility and power.

Atomic Narratives and American Youth

Author: Michael Scheibach
Publisher: McFarland
ISBN: 1476612668
Format: PDF
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Following the atomic bombings of Hiroshima and Nagasaki, numerous "atomic narratives"--books, newspapers, magazines, textbooks, movies, and television programs--addressed the implications of the bomb. Post-World War II youth encountered atomic narratives in their daily lives at school, at home and in their communities, and were profoundly affected by what they read and saw. This multidisciplinary study examines the exposure of American youth to atomic narratives during the ten years following World War II. In addition, it examines the broader "social narrative of the atom," which included educational, social, cultural, and political activities that surrounded and involved American youth. The activities ranged from school and community programs to movies and television shows to government-sponsored traveling exhibits on atomic energy. The book also presents numerous examples of writings by postwar adolescents, who clearly expressed their conflicted feelings about growing up in such a tumultuous time, and shows how many of the issues commonly associated with the sixties generation, such as peace, fellowship, free expression, and environmental concern, can be traced to this earlier generation.

Screening Scripture

Author: George Aichele
Publisher: A&C Black
ISBN: 9781563383540
Format: PDF
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An intertextual examination of popular films and scripture.

Visions of Tomorrow

Author: Edward Edelson
Publisher: Doubleday Books
Format: PDF, ePub, Docs
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Discusses science fiction movies and television programs of the past and present, including "Buck Rogers," "The Day the Earth Stood Still," "Doctor Strangelove," and many others.

Atomic Bomb Cinema

Author: Jerome F. Shapiro
Publisher: Routledge
ISBN: 1135350191
Format: PDF, Docs
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Unfathomably merciless and powerful, the atomic bomb has left its indelible mark on film. In Atomic Bomb Cinema, Jerome F. Shapiro unearths the unspoken legacy of the bombing of Nagasaki and Hiroshima and its complex aftermath in American and Japanese cinema. According to Shapiro, a "Bomb film" is never simply an exercise in ideology or paranoia. He examines hundreds of films like Godzilla, Dr. Strangelove, and The Terminator as a body of work held together by ancient narrative and symbolic traditions that extol survival under devastating conditions. Drawing extensively on both English-language and Japanese-language sources, Shapiro argues that such films not only grapple with our nuclear anxieties, but also offer signs of hope that humanity is capable of repairing a damaged and divided world. www.atomicbombcinema.com